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Saxophonist  Curtis Haywood has always been in touch with the healing spirit of  music. His earliest memory of his attachment to music is an anecdote his  mother shares with everyone.  “When I was about 5 or 6 years old, I  received my first instrument – a trumpet. When it was bedtime I  absolutely refused to go to bed without it. Now being of West-Indian  descent, my parents were obviously not trying to have any ‘back mout'  from dis here little child! Finally, convinced that they had lost the  battle, they allowed me to sleep with my trumpet." 

From that  day forward, music has played an integral role in Haywood’s life. And on  his self-titled debut as a solo artist, the former member of 1990’s  band Joshua has found a strong voice of his own.  “It's been a journey  since my band broke up more than ten years ago, and it took a while for  me to rebound, adjust and confront my fears of being alone and to face  the challenges this industry throws at you, but it was always a non  negotiable burning call on my life,” says Haywood of his decision to  finally release his CD.

 Joining Haywood on the CD are a collection  of some stalwart players in the jazz, gospel and R&B worlds, among  them bassist Artie Reynolds (Kirk Whalum, Alicia Keys, Keith Sweat, Alex  Bugnon.)  Also on board are Ainsley Taylor on drums, Chris Fischer on  keys, Willie Brown on guitar, and Paul Aponte on percussion.  But it is  Haywood’s haunting soprano saxophone that gives the CD its voice and  passion throughout a collection of 12 tracks that include sultry  contemporary jazz originals and fresh arrangements of R&B  favorites. 

The three songs by other artists that Haywood  selected to interpret come straight from his heart.  “What can I say?  I’m a hopeless romantic, so each song that I covered has to do with a  different aspect of love.”  The CD’s opening track, “Anytime,” says  Haywood, “just screams heartbreak,” and speaks volumes of Haywood’s  musical affinity for his namesake, the legendary R&B saxophonist  King Curtis. Moving across the romantic spectrum, his rendition of  Stevie Wonder’s “Creepin’,” conveys a sense of “deep passion,” and the  well-known “Sunny” resonates with the light-hearted fun of friendship.

Haywood’s  original compositions also speak eloquently of the man behind the  music.  The lyrical, buoyant “Heal Our Land” was, says Haywood,  originally written in response to 9/11, but fully coalesced into a song  of hope, expressed by the voices of a children’s chorus, in the  aftermath of Hurricane Katrina.  However, it’s in the rhythmic and  soulful “Rain Song,” that Haywood’s dedication to music as a healing  force is fully expressed.  “There is overwhelming evidence of  Ethiopia being the cradle of all mankind. Simply put, all human life  could very well have begun from this region of the earth. However, it is  ravaged with famine and considered one of the world’s poorest  countries, where people struggle daily for their most basic of needs,”  he explains.  “Rain Song” is as much about awareness as it is a call to  action. Haywood also aligns himself with Feed the Children, and Self  Help Africa which helps supply food for the people of Ethiopia and  around the globe, donating portions of album proceeds to both charities.    “Rain Song,” which was released to radio prior to the CD’s street  date,  reached #7 on's Indie chart, and #25 on the Radio  and Records Indicator chart. 

 Born and raised in Brooklyn, Haywood’s  early love for music eventually led to his being chosen from some 5,000  candidates to attend New York's prestigious High School for the  Performing Arts.  He went on to attend Berklee College of Music in  Boston, where he studied audio engineering.  He counts among his musical  influences Grover Washington Jr., David Sanborn, Bob Mintzer, Kenny  Garrett, and his aforementioned namesake, 'King Curtis'. 

Haywood’s  work with his former jazz fusion group, Joshua has lead him to perform  at the New Artist showcase at Capital Jazz Festival in Washington D.C.,  on the Christmas Holiday Tour with Grammy Award Winners “Take 6” at the  International African Arts Festival NYC and at B. Smith’s Rooftop Café,  for their CD release and several shows. Ultimately Joshua’s self  released CD gained airplay on NYC’ smooth jazz station CD101.9. In  addition, he has performed on the stage or on the same bill with the  following: Melissa Morgan, Melba Moore, Ray Goodman and Brown, Harold  Melvin’s Blue Notes & The Intruders, The Temptations Review ( with  Dennis Edwards), and The Temptations (with Otis Redding) Kirk Franklin,  Sounds of Blackness and The Noel Pointer Band in concert with Dave  Valentine.

Now, with the release of 2 Holiday singles (Mary did you know, Hark the Herald angel Sing, and 3 solo CD's (Curtis Haywood, Smooth Ingredients, and Summer breeze) Curtis Haywood hopes to touch as many people  as possible with the positive power of his music.  “It may be a cliché,  but I believe that music is truly a universal language, in that it  transcends physical boundaries. That’s what I seek to do in my work as a  musician, to speak to people spirit to spirit.” 

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